lecturer in digital media and culture at the University of Manchester, UK.

sam.hind@manchester.ac.uk

Category: Politics

  • #J11 Carnival Against Capitalism

    citymap_g8_webposterLondon will see a ‘Carnival Against Capitalism’ take place in 9 days time to coincide with the 39th G8 Summit taking place in Northern Ireland from 17th to 18th.

    As part of the build-up one of the main organizing groups – Stop G8 – issued what they called an ‘action map’ with ‘100 addresses of power, tyranny, and exploitation’ across the West End of the city. Included amongst these ‘hiding places of power’ are banks, hedge funds, private equity firms, arms companies, security firms and what they call ‘dens of the rich’.

    The main aim of the map is to facilitate protests in and around the West End, and the wider media have been more than happy to cover its existence. The Financial Times led with ‘London hedge funds ‘mapped’ by G8 protesters’, Reuters with ‘Anti-G8 protesters issue map of London capitalist targets’ and the Evening Standard with ‘G8 anti-capitalist protesters target ‘100 addresses of power’ in West End’. The FT even had an anonymous quote from a concerned chief operating officer of a hedge fund saying that ‘[the map] is being taken seriously’ by London Metropolitan Police, and even smaller hedge funds who hadn’t been mapped were still circulating it in case of trouble. So although the map has ostensibly made visible a host of ‘unethical’ global corporations, even those that haven’t been mapped are still fearing the worst.

    The Stop G8 website will issue some further details on the carnival in due course, including a main demonstration route for the day, and a more detailed map of the area in anticipation of independent action.

  • manchester modernists at the movies

    Film screening of Tom Cordell’s Utopia London (2010) at Manchester Art Gallery. Free tickets are available here. The event takes place on 20th June.

    manchester modernist society's avatarmanchester modernist society

    The Changing Face of the North West: Modernist Dreams and Utopias

    The Manchester Modernist Society, the North West Film Archive and Manchester Metropolitan University Geography are pleased to bring to the City Art Gallery a curated programme of archive films charting the transformation of the North West landscape through the aspirations of 20th Century dreamers, citizens and planners.

    Every third Thursday of the month we will present a film screening from 6.30 pm in the City Art Gallery Lecture Theatre on Mosley Street, central Manchester. A specialist presenter will introduce each screening, followed by informal questions and answers. Each event is free, but pre-registration is essential as places are strictly limited. Refreshments will be available for purchase in the cafe.

    Thursday 20th June at 18.30

    Free Tickets here

    lovearchitecture2013

    As part of the RIBA lovearchitecture festival 2013, Manchester City Art Gallery, Manchester Modernist Society, Geography at Manchester Metropolitan University and…

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  • New Spatial Media, New Knowledge Politics

    Sarah Elwood and Agnieszka Leszczynski‘s 2012 Transactions paper is open-access and available here. Worth reading if, like myself, you’re interested in the political agency of new spatial media. Cuts through the evangelical b*llshit in my opinion. Here’s a good quote that speaks of the need for more empirical research into the manifold deployments of spatial media and resulting knowledge assemblages:

    Th[e geoweb] literature suggests the need to be attentive to how digital visual artefacts frame audiences’ interactions with the presented content, to the visual practices enabled by these emergent artefacts (e.g. watching, playing, surveilling, controlling, gaining awareness), and to the visual epistemologies that emerge within these practices. What has yet to be undertaken are grounded studies of the substantive practices emerging from activist and civic engagement applications of new spatial media, to consider the nature and genesis of the epistemological politics advanced through these initiatives, and the extent to which they re-inscribe or depart from engagements with other kinds of geographic information technologies. (4-5)

    N.B It’s the first academic paper I’ve come across that has expressly mentioned the Sukey protest application – albeit in the endnotes. 

  • Here Come the Drones!

    At the Furtherfield Gallery, London, now until 26th May.

    From their website:

    “The devices that once populated the creepy dystopian futures of science fiction have broken through into our daily reality.

    Drones of dozens of different types are becoming a part of everyday life. They scout our public (and private) spaces, carrying out surveillance or reconnaissance in the service of nation states and as unmanned robotic tools, armed with missiles and bombs, acting in defence of “national security”.”

    Includes Bit Plane by Bureau of Inverse Technology (Natalie Jeremijenko and Kate Rich), Parallel by Lawrence Bird, The Private Life of a Drone by Patrick Lichty, Lines by Dave Miller and Gavin Stewart, TELEWAR by Dave Young and The Force of Freedom and Moveable Borders – The Reposition Matrix by Dave Young. The latter forms the central installation for the whole exhibition:

    “The Reposition Matrix aims to reterritorialise the drone as a physical, industrially-produced technology of war through the creation of an open-access database: a ‘reposition matrix’ that geopolitically situates the organisations, locations, and trading networks that play a role in the production of military drone technologies.”

  • More Bridle on Drones

    Courtesy of Lighthouse.

    And the making of Under the Shadow of the Drone for Brighton Festival: